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Janet Evanovich at 2006 signing for Twelve Sharp in Roseville, CA |
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© 2011 by Joyce Mason
All Rights Reserved
In case you’re wondering what on Earth is going on
here, see No
Small Change on The Radical Virgo. During October and November, I’ll be
doing short posts to take you along for the wild ride of rewriting and getting
my humorous, metaphysical mystery book ready for submission to the St.
Martin’s Press annual First Mystery Novel Contest
Whenever I start to freak
out about the tight timeframe to rewrite my book and submit it letter-perfect, I remind myself that I’m finally doing what I've always wanted to do. I
try to let the joy of the creative process overshadow the fear of the clock.
Sometimes it works.
Although the deadline for
the annual St. Martin’s First Mystery Contest is November 30, I didn’t
look past November 22 as my personal deadline. It’s a great electional day. Theoretically,
great things should come of anything I start, like my part in the contest
process. I can’t say I like that it’s the annual anniversary of the
assassination of JFK, but beggars can’t be choosers when I’ve only got 4 ½ more
weeks to pull it off. If I’d have looked one day deeper into my calendar, I’d
have realized the other reason I
can’t go past November 22. In my time zone, Mercury goes retrograde late on the 23rd. The
fact that Mercury Retro wasn’t even on my radar screen speaks to the Sabian
symbol for my Sun: A false call unheard in the attention to immediate
service. This
Sabian is all about priority and absorption. One interpretation calls the
bearer of this symbol “deaf to all allurement.” (Sorry, Mercury, I didn’t even
know you were alive. Don’t hold it against me!) Too close to it, akin to how
you can’t see your own nose.
I always knew I had an
overly active imagination, but until I wrote this novel, I had no idea what actually
goes on with me “upstairs.” My mind is a little scary. I feel that way when I
hear Robin Williams. He actually blurts out the kind of stuff that goes on in
my brain. The first time I heard him, I blushed! Since I need to produce
quickly right now, I have no time for creative inhibitions. I just have to let go
and let flow. I wrote five new chapters this week, still borrowing bits from
Life’s Companions, the original
version of the story. Ninety percent was new. The process keeps surprising me.
Words keep on appearing on paper. (Is this automatic writing?)
One thing’s clear. You can’t
hurry love and you can’t push creativity. Down time is an essential part of
this process. I felt lousy the other day—tummy trouble, my back was out, and I generally
felt like the flu was gunning for me. I decided to take the day off and get
some extra healing sleep. My reward was cranking out three more chapters in the next 24 hours.
Now that I know I need
R&R to make my fountain of creativity bubble, I have to trust that the timing
will fall into place. I took off a few hours Saturday to go to my friend Cindy Sample’s book signing. It was another good shot in the arm. Cindy and I had
lunch recently and compared notes on the writing life. Her second humorous
mystery, Dying for a Dance,is now available. Her heroine, Laurel McKay, is a
single mom who keeps stumbling over dead bodies, this time at her ballroom
dance class studio. Since my novel, The Crystal Ball, takes place at a
futuristic costume party in a big ballroom, I feel a kinship to Cindy’s latest
book and just loved reading it in Kindle!
Cindy is also the queen of
making book signings fun. Since the murder weapon in Dance is a high-heeled
shoe, she had a big basket of chocolate high heels. (Death by chocolate—yes!). Some of her other edible
perks are dead body crime scene cookies, you know—the outline of a body. Pass
the yellow Do Not Cross tape!
At Cindy's signing, I bumped into another
author I know from Sisters in Crime, Elaine Macko. Elaine and I were in a critique group together some years ago. Her first novel, Armed, just came out. Who knew murder could be so much fun! Armed takes place in a mannequin factory in a fictional New England town with a very interesting cast of characters
and a unique murder weapon. I've been enamored with her story since she was still writing the first draft. Her new web site rocks.
It’d be a crime not to
promote such creative new authors, so I’m giving their books as holiday gifts
to a number of people this year. Watching them finally manifest all this “fun
between the covers,” after being familiar with their stories for a number of
years, is a great model of manifestation. I'm enjoying the vicarious thrill.
Seeing Elaine also
reminded me of a time when we went with another Sister in Crime to a local
signing by Janet Evanovich a few years ago. Janet’s at the top of this post in that
moment all authors dream of—stacks of books ready for signing and crowds lined up by the thousands. We got to Barnes & Noble early, waited a long time, and it was
well worth it. Janet, too, has a huge flair for creating a party at her book
signings, including goodies. She passes out the Jersey junk food that’s everyday fare for her snack-addicted Stephanie Plum, the protagonist in
her number novels. For Janet and Stephanie fans, in case you
haven’t heard, the movie of her first book in the series, One for the Money, will be out in January 2012 starring Katherine Heigl. Don't miss the trailer in this link! For fans of Stephanie's wacky Grandma Mazur, I almost fell over when I found out she'll be played by Debbie Reynolds.
It’s a relief—and a big carrot!—to remember
that the other end of this process is a party. In my case, that’s doubly true
since much of The Crystal Ball takes place at one—a big, crazy costume party. Carrots may be incentives, but I don't plan to serve them at my book launch.
Will someone help me see that party in my Crystal Ball next week when I’m up to my eyeballs in work?